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HEART
AND SKY
PARTICLES
AND WAVES, ZURICH, SWITZERLAND, 2002.
the materialization
of light and the light as the source of virtual depths, islands of light.
to a
large extent, the structure of this raw space in the heart of the city
already represented the core of the concept. the two existing columns
- carrying two metal beams and therefore parts of the whole house - are
interpreted by the glass vitrine as the physical representation of light.
it is the heart of the bar, the spiritual spark, providing not only light
but the whole offer of the take away and the identity of the bistro. the
clients are served through the vitrine window. this represents the principle
of giving, offering.
in as
much as the middle area of the ceiling represents the real and materialized
presence of mass, meaning and space, the ceiling areas next to it open
the space virtually to an infinite atmospheric sky. they provide the ambient
light of the place, changing the color between day and night and creating
the virtual depth of space and thoughts to relax during a visit, forget
about business and travel in time. this represents the principle of dissolving,
releasing.
the technical
elements to provide the place's supply are placed in such a way that the
wooden bar elements leaning at them form an open bar situation, where
the usually dialectic positions of staff and clients change and merge
in a new consciousness of sharing a common space. they sometimes stand
on the same side of the bar, meet in different angles and communicate
in an absent hierarchy of front and back. the wooden elements define radiant
groups of islands distributed over the area to span up the spaces potential
and to form places where groups of people have the chance the step away
from the urban activity for a moment and communicate in this notion of
contemplating space. this represents the principle of emergence and communication.
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